KAISER Idell

When Bauhaus Went Rogue

Christian Dell’s 1932 KAISER Idell designs didn’t just borrow from Bauhaus, they stole its soul and gave it better joints.

Now produced by Fritz Hansen, these lamps remain the secret handshake of design purists who appreciate timeless craftsmanship and subtle innovation.

Why KAISER Idell Stands out

  • Bent Steel That Thinks It’s Silk:
    Every curve is calibrated to reflect light away from eyes, into work, pure perfection.
  • Clutch Mechanism:
    Adjusts with the snick of a German safe, no wobble, no apologies, just precision engineering.
  • That Signature Lean:
    A 15° tilt that proves rigidity is for amateurs and flexibility is for masters.

We champion the Kaiser Idell because,like BINK, it’s unimpressed by fleeting trends and obsessed with details you can’t see but would miss instantly.

Whether you’re a Bauhaus enthusiast or simply someone who values design that endures, the Kaiser Idell is more than a lamp; it’s a statement.

Obsessed with Design Excellence

Why This Belongs at BINK

  • Bauhaus’ Dark Horse: Christian Dell (Weimar’s metal workshop master) made these after Gropius left

  • Danish Rebirth: Fritz Hansen’s production elevates them with matte powder-coating even Dell would approve

  • Cross-Collection Alchemy: Pair with Jieldé’s brute strength or Bolichwerke’s precision for a materials masterclass

The Origin Story of a Bauhaus rebel

1932, Frankfurt: Dell who was a Bauhaus professor, got fired for refusing to toe the party line. His got his revenge in a big way.

  • 1933: The Bauhaus was under pressure from the Nazi regime, which deemed its modernist ethos “degenerate.”

  • Dell’s Stance: As head of the metal workshop, he resisted design compromises demanded by political forces (like adding ornamental or “traditional” elements). Dell was eventually fired for rejecting design dogma.

Why it Matters for KAISER Idell

  • His firing wasn’t just political, it also fueled his design rebellion. The Kaiser Idell’s minimalist steel curves became a silent protest.

  • The lamps were his middle finger in polished form:

    • No decorative concessions

    • No material compromises (aircraft steel during wartime scarcity)

    • Just pure, ungovernable function

Fun Fact: The first 100 lamps were sold to Parisian jazz club, the only spaces wild enough for them.

How to PAIR these icons

  • With Flyte:
    KAISER’s grounded heft vs. Flyte’s levitation

  • With JUMO:
    Germany’s steel meets France’s Bakelite in a materials debate

  • With BINK’s Upcycled:
    For a workspace that whispers “I know what you did in 1932”

SHOP KAISER IDELL — Timeless enough to outlast regimes.

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